Essential texts on the work of the influential artist Michael Snow: essays and interviews spanning more than four decades. Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fun...(展开全部)

这是一部描写在日常生活中猫与人类之间相互关系的幽默故事， 我们的主人公麦克，毫无疑问是只猫， 但故事同样也反映了人类的态度。 在故事中，猫似乎成了反映人类着“超级物种”的一面镜子。 一天，麦克出现在漫画家小林的家中。 即使从那一天起，小林和他的妻子便开始尽力与麦克相处， 猫想上他自己的事情，而人类则时时要改变它，这便是故事矛盾的主线。 麦克仅是一只不同的猫。 自由，冷漠而懒散，身边围绕着那些来去匆匆的人类。 而作为猫，他也有自己的事情要处理，与凶猛的母猫猫斯拉相处就是一个例子。 猫斯拉甚至连狗都惧怕她三分，更不要说麦克了。 但麦克还有他惟恐避之不及的事情，那就是孩子的玩弄。 故事当中有很多情节都将猫拟人化，例如，我们经常可以看到他们在一起开会或踢球等等……

A Distillation of The Most Important Business Thinking of Our Time Michael Porter's groundbreaking ideas on competition and strategy have unfolded over three decades and are spread across a dauntingly long list of publications. Every manager can name individual pieces of his work-competitive advantage, the value chain, five forces-but no one, not even Porter himself, ...(展开全部)

What is striking about the paintings by Michaël Borremans (*1963 in Geraardsbergen) is a technique that is almost like that of an Old Master. The Belgian artist is a virtuoso in his use of a reduced, melancholic palette of beiges, browns, and grays. As seductive as the aesthetics of the works may be, their contents are nonetheless disturbing and difficult to decipher. His paint...(展开全部)

A Distillation of The Most Important Business Thinking of Our Time Michael Porter's groundbreaking ideas on competition and strategy have unfolded over three decades and are spread across a dauntingly long list of publications. Every manager can name individual pieces of his work-competitive advantage, the value chain, five forces-but no one, not even Porter himself, ...(展开全部)

What is striking about the paintings by Michaël Borremans (*1963 in Geraardsbergen) is a technique that is almost like that of an Old Master. The Belgian artist is a virtuoso in his use of a reduced, melancholic palette of beiges, browns, and grays. As seductive as the aesthetics of the works may be, their contents are nonetheless disturbing and difficult to decipher. His paint...(展开全部)